The Effects Of Jealousy Othello

The Effects Of Jealousy – Othello Throughout Shakespeares Othello, the major theme of jealousy is apparent.

According to Microsoft Bookshelf, jealousy, by definition, means resentful or bitter in rivalry. The tragedy Othello focuses on the doom of Othello and the other major characters as a result of jealousy. The theme of jealousy is prominent throughout the play as it motivates the characters actions. In Shakespeares Othello, jealousy is portrayed through the major characters of Iago and Othello.It utterly corrupts their lives because it causes Iago to show his true self, which in turn triggers Othello to undergo an absolute conversion that destroys the lives of their friends. Iago, most honest (I, iii, 7) in the eyes of his companions, is, in fact, truly the opposite. His feelings of jealousy uncovers his actual self.

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D.R. Godfrey concludes this after hearing Iago state that he ha lookd upon the world for four times seven years (I, iii, 311-2).In his essay, Godfrey explains that Iago has arrived at one of the great seven yearcritical stages (421) of his life, causing him to become jealous, embittered, [and] vengeful. (421).

Iagos dupe, Roderigo, is the only person, in fact, to know this previously; Iago tells Roderigo that he is not what [he is] (I, i, 69). He possesses this jealousy because he is distressed that Othello chose Michael Cassio, a valiant (II, i, 98), Florentinearithmetician (I, i, 19-20), over himself for the position of lieutenancy. Jealousy divorces [Iago]from rationality, Godfrey states (418).

This loss of rational causes Iago to make a life of jealousy (III, iii, 204) and plots to destroy Othello. Although Iago has a reputation of being full of love and honesty (III, iii, 138), he is responsible for destroying many lives and is considered perhaps one of the most villainous characters in all literature (Godfrey 422). Iago alludes to Othello that his wife, Desdemona, has been unfaithful with Cassio. Iago initially intends to hurt Othello and make him regret appointing Cassio as his lieutenant; however, he ends up hurting others in the process. Iagos jealousy causes his true character, one of vicious[ness] (Godfrey 421), to become noticeable.

This, in turn, creates a new Othello to emerge, one utterly possessed, calling out for blood and vengeance (Godfrey 418).Othello, considered by A.C.

Bradley one of the most romantic figure[s] among Shakespeares heroes (1) and a dignified (2) poet (1), quickly becomes entranced by Iagos vengeful[ness] (Godfrey, 421). Othello, placing entire confidence in Iagos honesty, has been moved by the warnings of [his]honestfriend (Bradley 3). At first, Othello does not believe Iago; but his degradation is complete (Godfrey 418) by the end of the Temptation Scene (III, iii). Even though Iago produces a minimal amount of proof, a handkerchief that Iago may have seen Cassio wipe his beard with, and Cassios allegeddreams (Godfrey 418), Othello is completely possessed by the madness of jealousy (Godfrey 419).

He immediately passes sentence[s] of death (Godfrey 418) to Cassio and Desdemona, deciding that Desdemona should die some swift means of death (III, iii, 479).One can tell that Iagos jealousy has, in fact, corrupted Othello. This great poet (Bradley 1), Othello, previously had spoken of Desdemona, his wife, as wondrous (I, iii, 160) and Heaven[ly] (I, iii, 258); after hearing from Iago that Desdemona and Cassio are having an affair, his tone changes and begins to speak like Iago.

He begins to use gross, animal imagery (Rocchino 3-9-00) to make references to his wife and women in general. For example, he calls Desdemona a haggard (III, iii, 261), while also labeling her derogatory names like lewd minx (III, iii, 487) and whore (IV, ii, 99). Although Othello is most affected by Iagos jealousy, the repercussions on others are very evident.Othellos jealousy destroys his love through his hatred.

He can no longer have doubts about his wifes guilt; therefore, he must finally act against it by assuming the mask of impersonal justice (Godfrey 420). He must kill (V, ii, 32) Desdemona. Even though Desdemona tries to tell him the truth, Othello is completely irrational, refusing to listen (V, ii). Emilia, too, is murdered as a repercussion of Iagos jealousy.When she states the truth that she found by fortune [the handkerchief] and did give it to [her] husband (V, ii, 225), Iago, calling her a villainous whore (V, ii, 227), stabs Emilia from behind, murdering her.

Othello then seriously wounds Iago with his sword of Spain (V, ii, 252). He does not want to kill Iago because it is happiness to die (V, ii, 289). Instead, he wants him to live a life of suffering. As the truth comes out about Iagos deception, Othello realizes the damage he has caused by believing Iago, which led to the deaths of Roderigo, Desdemona, and Emilia. He then smote[s] him[self] (V, ii, 355), resulting in his immediate death. The punishments are, according to Godfrey, justified (423) in that the destroyer is by himself destroyed (423). Because the major theme of jealousy is apparent throughout Shakespeares Othello, one realizes that the play focuses on the doom of Othello and the other major characters as a result of this jealousy.

The theme of jealousy is prominent throughout the play as it motivates the characters actions. The major characters of Iago and Othello clearly possess this jealousy and show how it affects them. Iago is forced to expose his actual nature and Othello undergoes a total transformation from a normal human to a spiteful monster. Obviously, jealousy does cause people to change in horrific ways. Shakespeare Essays.