Antigone

Antigone Antigone This poem is quite successful in getting the plot across to the reader. Unfortunatly, that is all he can get across because of his beleif that, “inside every fat book is a skinny book trying to get out.” Sargoff cannot have character descriptions, themes, or any real detail in his “skinny book” because of his beleifs. Sargoff leaves off why Polynices should not be burried and why his brother, who is not even menchoned, can be burried.

This is important to building the feelings of contempt towards Creon and an understanding of what Antigone is doing. Also, because this is a “Humorous Distillation,” the tone of the play is lost. Instead of being a dramatic play about obeying a higher law, it is a comical, rhyming poem about what happened. This may cause it to lose the impact it had.Sargoff reduces important and pivotal points in the story to a sentence such as, “Creon wilts, and tries to bang a U-ee.” This sentence does not tell of Creon’s attempt to repent for what he has done by burrying Polynices and then going to free Antigone. Even if Sargoff gets all of the plot across, that is not enough to tell the whole story.

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Aristotelian Unities Yes, Antigone does follow the Aristotelian Unities. The play occurs in the same place and roughly the same time. Things that happened before the play or outside of the place, was told by a messenger or a character themself. The action was all centered around Antigone’s actions.Her actions were the sole cause of everything that happened. Greek Tragedy Antigone does follow the Greek definition of tragedy.

Tragedy is a story or play that has a signifigant conflict of morals, with a noble protagonist displaying a tragic flaw that is their strength but leads to their downfall. The exposition of the story is when Antigone is talking with her sister and we learn of what has happened. The turning point of this play is when Creon tries to mend his wrongs by burying Polynices and freeing Antigone.Antigone herself is the tragic hero because she dies for what she believes morally right. Antigone’s tragic flaw is that she has only sees her point of view which leads to her death. The denouement of this story is everybody dying and then Creon realizing what he has caused. The song of the story is attenden to throuhg the chorus’ comentating on what is happening or through direct dialog. The thought of this play is wether it is right to follow heavenly laws or ones made by man.

Antigone is the tool through which Sophocles tells th!at one should obey the law of the gods and human laws. The complication of the story is done through Creon misunderstanding what is happening. Creon thinks at one point that the guard has been bribed when actually he is telling the truth. Creon’s recognition is when he finaly sees what has been happening and that Antigone is innocent and that Polynices should be buried.

Antigone

Antigone Sophocles’ trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus’ uncle and brother-in-law, is the story’s most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon’s vision of a monarch’s proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy’s tragic conclusion. In Oedipus the King (OK) , the audience is introduced to a Creon who seems to put loyalty to the king above all.He sympathizes with the tragic plight of King Oedipus and asserts no apparent ambition himself. His attitude toward the king is one of yielding and fulfilling reverence. Creon’s notion of justice in OK stems directly from the divine.

That which the gods have decreed must become law. It pains Creon to have Oedipus exiled, but he must do so as the gods have willed it.Creon’s respect for divinity and prophecy seems to be his defining trait in OK. His attitude is one of unquestioning reverence.

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In Oedipus at Colonus (OC), one sees the beginning of Creon’s decline. Creon has now come to occupy the throne that once belonged to Oedipus. It soon becomes apparent that his vision of the proper role of a king has changed to accommodate his new-found position. The emphasis shifts from that of a king who must rule wisely to one who must rule unyieldingly.

The kingship becomes a selfserving instrument for Creon in his attempt to secure the return of Oedipus and the good fortune prophesied to accompany him. Creon’s notion of justice is severely distorted in OC. He becomes monomaniacal – conducting his affairs with tyranny and belligerence. For example, he threatens to harm Oedipus’ daughters if the blind beggar does not return to Thebes. His view of rightness and fairness is no longer in line with that of his subjects.In OC, Creon still retains some respect for divine prophecies. These have after all motivated his desire to return Oedipus to Thebes. Antigone reveals the ultimate extent to which Creon’s character deteriorates.

His transformation completes itself; he has become an unreasonable tyrant. Creon can no longer be called a king. He has become a despot.There is absolutely no justice to be found. Violence and threats of violence are the tools by which he rules.

For example, his senseless threats to an innocent sentry reveal the true extent of his loss of reason. Creon has distorted the proclamation against Polyneices’ burial, which was originally intended to foster Theban unity, into a display of rashness and incompetence. There is no mention of the gods and their intentions on Creon’s behalf in Antigone.He has been so far destroyed by his own power as to dismiss the divine will that he originally thrived on.

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